Chinese Folk Motif Arts

Chinese folk motif arts have a rich rural atmosphere and the beauty of purity. It contains traditional Chinese philosophical ideas including Lao Zhuang’s philosophy, reflects the characteristics of "primitive culture". Chinese folk motifs forms an obvious contrast to the Western graphics system in terms of creative ideas, modeling methods, spatial forms and even viewing methods, have created a relatively independent modeling system. It has become the prototype and foundation of Chinese plastic art.

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Chinese Folk Motif Arts课程简介:前往报名学习

Chinese Folk Motif Arts课程简介:

Chinese folk motif arts have a rich rural atmosphere and the beauty of purity. It contains traditional Chinese philosophical ideas including Lao Zhuang’s philosophy, reflects the characteristics of "primitive culture". Chinese folk motifs forms an obvious contrast to the Western graphics system in terms of creative ideas, modeling methods, spatial forms and even viewing methods, have created a relatively independent modeling system. It has become the prototype and foundation of Chinese plastic art.

前往报名学习

Chinese Folk Motif Arts课程目录:

Unit 1. Folk Motifs: Basic Categories and Characteristics

--1.1 The meaning of learning Chinese folk motifs

--1.2 A brief introduction of graph

--1.3 The basic categories of Chinese folk motifs

--1.4 The basic characteristics of Chinese folk motifs art

--1.5 Research on the questions and the motifs cases

--1.6 Unit assignment: thinking questions

--1.8 Expanded learning resources

Unit 2. Motif Arts : Modeling Methods and Aesthetic Significance

--2.1 The modeling methods of folk motifs

--2.2 Aesthetic implication of folk motifs

--2.3 Research on the questions and the motifs cases

--2.4 Art Practice: Canton Embroidery

--2.5 Unit assignment: Judgment and thinking questions

--2.6 Expanded learning resources

Unit 3. Chinese Shadow Puppetry: Characters Developed by Scissors and Nicking Chisels

--3.1 A Brief Introduction of Chinese Folk Paper Cut

--3.2 The craft of Chinese folk paper cut

--3.3 The techniques of expression of Chinese folk paper cut

--3.4 A brief introduction of Chinese shadow puppetry

--3.5 The artistic characteristics of Chinese shadow puppetry

--3.6 The modeling of Chinese shadow puppetry

--3.7 Art Practice: Paper Cut

--3.8 Unit assignment: Paper Cut creation

--3.10 Expanded learning resources

Unit 4. The Heritage of Chu Culture: Discovering the Intangible Cultural Heritage

--4.1 The State of Chu and Chu Culture

--4.2 Representative Graphics of Chu Culture Remains

--4.3 Intangible Cultural Heritage of Chu Culture

--4.4 Research on the questions and the motifs cases

--4.5 Art Practice: Decorative painting

--4.8 Expanded learning resources

Unit 5. The Final Totem: The Mysteries Behind Folk Motifs of Various Ethnic Groups in China

--5.1 Totem

--5.2 Panhu Worship

--5.3 The Legends of Totem in Costumes

--5.4 The Tattoos of the Li Ethnic Group

--5.5 Art Practice: Tie-dye

--5.6 Research on the questions and the motifs cases

--5. 8 Expanded learning resources

Unit 6. Chinese Folk Motifs and Chinese Wisdom

--6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”

--6.2 “Nine Palaces” and Its Spatial Layout

--6.3 Plane Static Four-dimensional Space

--6.4 “Almorphism” of Batik Graphics

--6.5 Ingenious Calculations by Folk Carpenters

--6.6 Research on the questions and the motifs cases

--6.9 Expanded learning resources

Unit 7. Chinese Elements and Graphical Creativity

--7.1 The Trend of Convergence of Chinese and Western Culture

--7.2 Chinese Elements and Graphic Creativity

--7.3 Post-modernism and Graphic Design

--7.4 Art Practice: Digital animation The Legend of Shangri-la

--7.5 Research on the questions and the motifs cases

--7.7 Expanded learning resources

Chinese Folk Motif Arts授课教师:

田少煦-教授-深圳大学-传播学院

田少煦,湖南省凤凰县人,深圳大学设计学科二级教授,数字媒体与视觉文化研究所所长。广东省首批教学名师、国家级教学名师。 田少煦是中国设计艺术研究领域的著名学者,研究方向为数字媒体设计理论与实践、非物质文化遗产及其数字化勘探。曾主持国家社科基金艺术学项目、教育部人文社科项目、广东省重大项目和创新项目等多项研究课题。主持《数字色彩》“国家精品课程”和“国家级精品资源共享课”,主持《中国民间图形艺术》国家精品视频公开课。获教育部高校艺术教育科研论文一等奖、中国工艺美术终身成就奖、全国教育信息化大赛一等奖等。出版学术专著和国家级规划教材等10部。 现在担任教育部高等学校动画、数字媒体专业教学指导委员会副主任,全国高等院校校网络科技与智能媒体设计专业委员会副主任,全国民族技艺职业教育教学指导委员会资深委员。

王伟-助理教授-深圳大学-传播学院

王伟,深圳大学传播学院助理教授、北京大学艺术学院博士后、东北师范大学文艺学博士,深圳市高层次人才后备级人才。研究兴趣聚焦在视听新媒体、电影史与电影理论方面,主持国家博士后项目1项、教育部项目1项,发表CSSCI收录学术论文7篇、学术译文7篇、主编书籍1本(2020年即出)。

程遥-助理教授-深圳大学-传播学院

程遥,深圳大学传播学院助理教授、京都工艺纤维大学设计学博士、名古屋大学文学硕士。研究兴趣聚焦在视觉传播,文化研究与新媒体社群方面,主持广东省社会科学项目1项,在日发表、出版学术论文3篇,参与书籍章节1本。作为助理参与名古屋艺术中心项目一项,作为合作策展&参展人参与京都设计实验室与林茨未来实验室合作项目一项。

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